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At this Geoffrey gives way to mirth. He and Darling are virtually alone, as Nicholas and Captain Rodney are talking earnestly about the impending lawsuit in a distant corner.,

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The ready tears spring into Mona's eyes. She is more deeply, passionately grateful to him for this small speech than he will ever know.,

"You will come, Mona, to oblige the duchess," says Geoffrey, in exactly as even a tone as if the other had never spoken. Not that he cares in the very least about the duchess; but he is determined to conquer here, and is also desirous that all the world should appreciate and admire the woman he loves.

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"Well, I like that!" says her brother. "And pray what was to happen if I didn't? I gave 'em ten minutes; quite sufficient law, I think. If they couldn't get it over in that time, they must have forgotten their native tongue. Besides, I wanted to get down; the forked seat in the laurel was not all my fancy had painted it in the beginning, and how was I to know when they were gone unless I looked? Why, otherwise I might be there now. I might be there until next week," winds up Mr. Darling, with increasing wrath.,

To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all.,

"So I can," says Geoffrey. Then, not for any special reason, but because, through very love of her, he is always looking at her, he turns his eyes on Mona. She is standing by the table, with her head bent down.,

Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it.